Heavy metal music in Argentina : in black we are seen /

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Includes bibliographical references and index.<p class="p1">Preface to the Second Edition vii</p><p class="p1">Group for Interdisciplinary Research on Argentinian Heavy Metal (GIIHMA)</p><p class="p1">Foreword ix</p><p class="p1">Emiliano Scaricaciottoli</p><p class="p1">Translator's Note xiii</p><p class="p1">Juan Manuel López Baio</p><p class="p1">Introduction: A Window into Heavy Metal Scholarship in the Global South xv</p><p class="p1">Nelson Varas-Díaz, Daniel Nevárez Araújo, and Emiliano Scaricaciottoli</p><p class="p1">1. Heavy Metal as a Subculture in Argentina: Identity and Resistance 2</p><p class="p1">Gustavo Torreiro</p><p class="p1">2. Genre Violence: Argentinean Heavy Metal in the Music Market 16</p><p class="p1">Luciano Scarrone</p><p class="p1">3. Heavenly Hosts and Other Demons: Reflections Concerning a</p><p class="p1">Difficult and Transversal Relationship in the History of Our Heavy Music 28</p><p class="p1">Gito Minore</p><p class="p1">4. Walkabout, Just Walking about for the Sake of Walking: The Journey</p><p class="p1">as an Ethos in the Poetics of Ricardo Iorio 46</p><p class="p1">Manuel Bernal and Diego Caballero</p><p class="p1">5. Passion and Ethics: A Space for Voice and Tradition in Iorio's Lyrics 58</p><p class="p1">Juan Ignacio Pisano</p><p class="p1">6. The Reason Behind My Writing: Another Day of Being 72</p><p class="p1">Ezequiel Alasia</p><p class="p1">7. Piedra Libre: Referential Tensions in Argentinean Heavy Metal</p><p class="p1">Lyrics Since the Political Crisis of 2001/2002 84</p><p class="p1">Emiliano Scaricaciottoli</p><p class="p1">Notes on Contributors 100</p>Description based on online resource; title from digital title page (viewed on July 08, 2020).