Drama in the music of Franz Schubert

Numéro d'appel:

Mots-clés:

Notes:

Includes bibliographical references (pages 331-340) and index.Frontcover; Contents; List of Figures; List of Tables; List of Contributors; Acknowledgements; Preface; Introduction: Internal Dramas; Part I: Stage and Scared Works; 1 Opera that Vanished: Goethe, Schubert, and Claudine von Villa Bella; 2 Pioneering German Musical Drama: Sung and Spoken Word in Schubert's Fierabras; 3 The Dramatic Monologue of Schubert's Mass in A♭ Major; Part II: Lieder; 4 Schubert's Dramatic Lieder: Rehabilitating 'Adelwold und Emma', D. 211; 5 Gretchen abbandonata: The Lied as Aria; 6 The Dramatic Strategy Within Two of Schubert's Serenades7 'Durch Nacht und Wind': Tempesta as a Topic in Schubert's Lieder8 Reentering Mozart's Hell: Schubert's 'Gruppe aus dem Tartarus', D. 583; Part III: Instrumental Music; 9 'Zumsteeg Ballads without Words': Inter-Generic Dialogue and Schubert's Projection of Drama through Form; 10 Lyricism and the Dramatic Unity of Schubert's Instrumental Music: The Impromptu in C Minor, D. 899/1; 11 Music as Poetry: An Analysis of the First Movement of Schubert's Piano Sonata in A Major, D. 959; 12 Virtual Protagonist and Musical Narration in the Slow Movements of Schubert's Piano Sonatas D. 958 and D. 96013 Stylistic Disjuncture as a Source of Drama in Schubert's Late Instrumental WorksSelect Bibliography; IndexPrint version record.