Type de publication:
BookSource:
Newcastle-upon-Tyne : Cambridge Scholars Publisher,, United Kingdom, p.1 online resource (235 p.) (2020)Numéro d'appel:
ML3849URL:
http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2683965Mots-clés:
(OCoLC)fst00815413, (OCoLC)fst01030408, (OCoLC)fst01127003, Art and music., bicssc, fast, Music, Music., Performance art., Philosophy and aesthetics., Philosophy: aesthetics., Sound in art.Notes:
Description based upon print version of record.This volume explores the mutually beneficial, but occasionally uneasy, relationship between sound art and music. It reveals how practices and theories associated with these art forms frequently result in corroboration, and contains chapters from both practitioners and theoreticians who work in areas where innovative synergies between sound art and music can be identified. Although practice and theory are inseparable, discourses surrounding practice are elusive but informative, and, as such, are given particular recognition and exploration in this volume. Taken as a whole, the book provides a s.Intro -- Table of Contents -- List of Figures, Tables and Examples -- Foreword -- Chapter One -- Chapter Two -- Chapter Three -- Chapter Four -- Chapter Five -- Colour Centrefold -- Chapter Six -- Chapter Seven -- Chapter Eight -- Chapter Nine -- Chapter Ten -- Chapter Eleven -- Chapter Twelve -- Contributors -- Index
- Identifiez-vous pour poster des commentaires
- Google Scholar