The Orphic I : a philosophical approach to musical collaboration /

ISBN:

Numéro d'appel:

Mots-clés:

Notes:

Includes bibliographical references (pages 139-150) and index.Part I: An aesthetics of social awareness and participation -- Heidegger and Hegel: art as the happiness of truth -- On the history of philosophy -- Aletheia and the nature of truth -- The work of art as illuminating projection -- Reclaiming the happening of truth -- Dewey and Gadamer: art as community of experience -- Two anti-foundational approaches to aesthetics -- The post-philosophical debate -- Reunifying art and experience -- The work of art as expressive object and as symbol -- Part II: Orphic intersubjectivity -- The performer as co-composer: "hearing as" and the creative Orphic "I" -- Orpheus, inspired poet-musician of antiquity -- Ricoeurian implications of the Orpheus myth -- Lazar Nikolev, a modern-day Orpheus -- Creative Orphic intersubjectivity -- Consensual empathic manipulation: listener-performer identification and the interpretative Orphic "I" -- Philosophical and psychological theories of empathy -- Perceived authenticity in music -- Interpretative Orphic intersubjectivity -- Part III: Ensemble ethics -- Cultural values in music: control and conversation in string quartet playing -- Play, festival, and musicking -- Communitarian concepts of musical utopia -- Core values in string quartet performance traditions -- Quartet playing styles of the Dimov and Sofia quartets -- The ethics of entrainment: music-making and Habermasian practical dicourse -- Habermas' unity of reason and discourse ethics -- The care-free empathy of mutual perspective-taking -- The music-making situation as an ethical model -- Prosocial interaction in music improvisation projects.