Music as agency : diversities of perspectives on artistic citizenship /

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Includes bibliographical references and index.Introduction : artistic citizenship in a global perspective / Maria Westvall & Emily Achieng' Akuno -- Art for all's sake : co-creation, "artizenship," and negotiated practices / Charles Carson and Maria Westvall -- Social engagement towards artistic citizenship in music teaching / Flávia Motoyama Narita -- Civic responsibility through artistic citizenship and empathy : 21st Century feminist aims for music education / Marissa Silverman -- Artistic citizenship and cosmopolitanism in musical-social work / Kim Boeskov and Kristine Ringsager -- Artistic citizenship as practices of everyday resistance / Oscar Pripp -- Practicing citizenship artistically : an autoethnographic account of a Chinese-Canadian-Brazilian music educator / Nan Qi -- Building citizenship in contexts of democratic recovery : a review of Chilean cultural policies on music education, 1990-2022 / Carlos Poblete Lagos -- Articulating sound citizenship in the general arts classroom towards sound awareness and sound living : a perspective from Singapore contemporary artists / Chee Hoo Lum -- Music making in the construction of culture : artizenship through emerging music styles in Kenya / Emily Achieng' Akuno -- Conclusion : artizenship, agency, actions."Music as Agency: Diversities of Perspectives on Artistic Citizenship focuses on the concept, application, interpretation and manifestation of Artistic Citizenship in diverse contexts. The key concepts that the book tackles are: Cultural experience, artistic practice, musical identities, equity, democracy, community, activism, resistance and empathy. In giving an overview of aspects of the compound concept of artistic citizenship, Akuno and Westvall present the outcome of research and interrogation of practice by a global network of educator-researchers from Africa, the Americas, Asia and Europe. The book articulates notions of artistic citizenship, coming up with the term artizenship as a derivative of the composite term. It further explains and analyses practical ways of perceiving and relating to art spaces, art practices and arts objects towards belonging, being and becoming in a global space that is disparate, polarised and often alienating, and thus responding to issues such as social justice, identity, participation and inclusion. With a focus on music, the book targets musicians, scholars, educators and enthusiasts keen on gaining a deeper understanding of how music and musicking can influence human interactions towards social integration, trust, cultural awareness and intercultural understanding"--