Live looping in musical performance : lusophone experiences in dialogue /

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"A Focal Press book" -- cover page.Includes bibliographical references and index.Introduction. Why Live Looping? / Alexsander Duarte and Susana Sardo -- Part I. From the studio to the stage : reflections on live looping and instrumentality through the performance of Import/Export : Percussion Suite for Global Junk by Gabriel Prokofiev / Luís Bittencourt ; HASGS : Its repertoire using live looping / Henrique Portovedo ; Interaction and reaction : reflections about performance, composing and live looping / Iury Matias de Sousa ; Viola Sertaneja and Live Looping in the performance of Antônio Madureira's Repente / Erik Pronk ; Quasitude : The processes and methods of the composition work for Xylophone and Live Looping / Helvio Mendes and Samuel Peruzzolo Vieira ; Densus Bridge : for trumpet and live electronics (live looping and effects) / Elielson da Silva Gomes and Alexsander Duarte ; Perhaps the loop station is not the point / José Valente -- Part II. Creating atmospheres with LL : the forms of creativity of Tiago Oliveira / Melina Aparecida dos Santos Silva, José Cláudio Siqueira Castanheira and Tiago Oliveira ; The Loop Pedal and the Guitar : Individual Practice and its Connection to Sociality / Ricardo Jorge Monteiro Cabral and Jorge Vicente dos Santos Almeida ; Taking the Live out of Looping -- Composing with the Loop Pedal / Aoife Hiney and Isabel Novella ; The one and the many : interview with Portuguese singer and songwriter Joana Lisboa / Samuel Peruzollo Vieira and Joana Lisboa."Live Looping in Musical Performance presents a range of interdisciplinary perspectives on the uses of live looping technology by a range of lusophone performers and composers, considering diverse aspects from the aesthetic component to the instrumentation and even setup. Containing eleven chapters written by musicians and researchers from Portuguese-speaking countries, a range of musical contexts, genres and practices are explored. The novelty of including collaborative texts written alongside non-professional researchers offers the possibility of drawing from real experience to consider how live looping has been changing and "cyborguising" the concept of music, the ritual of the performance, the identity of the musicians and the public's expectations. Live Looping in Musical Performance provides cutting-edge reading for composers and performers, as well as ethnomusicologists, students and researchers working in the areas of music production, technology and performance. This book addresses a broader audience, both academic and non-academic, who are interested in new processes of musical creativity in a post-human world"--