Eastern European emigrants and the internationalisation of 20th-century music concepts

Type de publication:

Book

Source:

Georg Olms Verlag,, Volume Band 118, Hildesheim, Germany; Zürich, Switzerland ;, p.247 pages : (2022)

ISBN:

3487161923

Numéro d'appel:

ML240.5

Autre numéro:

9783487161921

Mots-clés:

20e siècle, 20th century, Aspect social, Congresses., Congrès., Emigration and immigration, Europe de l'Est, Europe, Eastern, fast, Histoire, History, History and criticism, Immigrants, Music, Musique, Political aspects, Political persecution, Répression politique, Social aspects

Notes:

Includes bibliographical references.Proceedings of a international conference helds at the Musicological Institute of Leipzig University, 29-31 January 2020.Emigration in 20th-century music history / Christoph Flamm -- Czech musical immigration in Slovenia and the concept of nationally influenced musical culture / Jernej Weiss -- The history of Russian music in the West : philosopher Ivan Lapshin in St. Petersburg and Prague / Georgy Kovalevsky -- A post-Wagnerian Gesamtkunstwerk? : Stravinsky, Diaghilev, Benois, and the Russian painters of the Ballets Russes / Marina Lupishko -- The Russian art magazine Jar-Ptitza as a medium of intercultural transfer in early 1920s Germany / Anna Fortunova -- Decision, hope, and resignation : Nikolai Medtner's emigration and stay in Berlin, 1921-1924 / Wendelin Bitzan -- Arthur Lourié in France / Olesya Bobrik -- Microtonal music actors : Ivan Wyschnegradsky and his circle / Lidia Ader -- From national to comsopolitan and vice versa : multiple identities and intercultural transer in Lithuanian migrant music / Rūta Stanevičiūtė -- (E)migration of ideas : ways of microtonal composing in Lithuanian music in the 1970s and 1980s / Rima Povilionienė -- Polish émigré composers in the United States of America / Jolanta Guzy-Pasiak -- Emigration and the transfer of ideas after World War II / Dörte Schmidt -- Folklorism and nostalgia in György Ligeti's late works / Márton Kerékfy -- Styles, significations and contexts of "popular music" during the Cold War / Michael Esch.