Literature, Music, Theatre? The Performative Aspect of Rammstein's Musical Activity.

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Description based upon print version of record.5.20.1. Performativity in the song "Engel"Cover -- Table of Contents -- 1. Introduction1 -- 2. Research direction and literature methodology -- 2.1. Interdisciplinarity and comparative studies -- 2.2. The analysis regarding the interaction of literature, music and theatre -- 2.3. The research method and tools -- 3. Performative turn in the context of other research turns -- 3.1. Performative turn: Performativity and performance -- 3.2. From John L. Austin to Judith Butler: Mainstream performative research -- 3.3. Ritual - Theatre - Performance: Performance research in terms of Victor Turner -- 3.4. Concepts of stage performativity3.5. Communication on performance stages -- 3.6. Performative character of stage performances -- 3.7. Staging frame and its elements -- 3.8. The rock scene of the Rammstein music band -- 4. Literature review on the performative character of stage shows by music bands -- 5. Analysis of the elements of the staging frame of Rammstein's stage performances -- 5.1. Song analysis "Intro" -- 5.1.1. Performativity in the song "Intro" -- 5.2. Song analysis Sonne/Sun -- 5.2.1. Performativity in the song "Sonne"5.3. Song analysis: "Wollt Ihr das Bett in Flammen sehen?/Do you want to see the bed in flames?" -- 5.3.1. Performativity in the song "Wollt Ihr das Bett in Flammen sehen" -- 5.4. Song analysis, "Keine Lust/No desire" -- 5.4.1. Performativity in the song "Keine Lust" -- 5.5. Song analysis "Sehnsucht/Longing" -- 5.5.1. Performativity in the song "Sehnsucht" -- 5.6. Song analysis: "Asche zu Asche/Ashes to ashes" -- 5.6.1. Performativity in the song "Asche zu Asche" -- 5.7. Song analysis "Feuer Frei/Fire Free!" -- 5.7.1. Performativity in the song "Feuer Frei" -- 5.8. Song analysis "Mutter/Mother"5.8.1. Performativity in the song "Mutter" -- 5.9. Song analysis "Mein Teil/My part" -- 5.9.1. Performativity in the song "Mein Teil" -- 5.10. Song analysis "Du riechts so gut/You smell so good" -- 5.10.1. Performativity in the song "Du riechts so gut" -- 5.11. Song analysis "Links 2-3-4/Left 2,3,4" -- 5.11.1. Performativity in the song "Links 2-3-4" -- 5.12. Song analysis "Du hast/You Have" -- 5.12.1. Performativity in the song "Du hast" -- 5.13. Song analysis "Heifisch/Shark" -- 5.13.1. Performativity in the song "Heifisch" -- 5.14. Song analysis "Bück dich/Bend down"5.14.1. Performativity in the song "Bück dich" -- 5.15. Song analysis of "Mann gegen Mann/Man against Man" -- 5.15.1. Performativity in the song "Mann gegen Mann" -- 5.16. Song analysis "Ohne Dich/Without you" -- 5.16.1. Performativity in the song "Ohne dich" -- 5.17. Song analysis "Mein Herz brennt/My heart burns" -- 5.17.1. Performativity in the song "Mein Herz brennt" -- 5.18. Song analysis "Amerika/America" -- 5.18.1. Performativity in the song "Amerika" -- 5.19. Song analysis "Ich Will/I want" -- 5.19.1. Performativity in the song "Ich will/I want" -- 5.20. Song analysis "Engel/Angel"This publication intends to answer the following research question: is the nature of the stage shows by the German music band Rammstein performative? The research problem has an interdisciplinary character and the main research direction is based on the comparative method, which deals with literature in a broad context.