Type de publication:
BookSource:
p.1 online resource (232 pages) : (2021)ISBN:
0190938838Numéro d'appel:
ML3470URL:
http://dx.doi.org/10.1093/oso/9780190938796.001.0001Mots-clés:
(OCoLC)fst01071422, (OCoLC)fst01738370, fast, Histoire et critique., History and criticism., Masculinité dans la musique., Masculinity in music., Musique populaire, Popular music, Popular music.Notes:
Also issued in print: 2022.Includes bibliographical references and index.In this work, Kai Arne Hansen investigates the performance and policing of masculinity in pop music as a starting point for grasping the broad complexity of gender and its politics in the early 21st century. Drawing together perspectives from critical musicology, gender studies, and adjacent scholarly fields, the book presents extended case studies of five well-known artists: Zayn, Lil Nas X, Justin Bieber, The Weeknd, and Take That. By directing particular attention to the ambiguities and contradictions that arise from these artists' representations of masculinity, Hansen argues that pop performances tend to operate in ways that simultaneously reinforce and challenge gender norms and social inequalities.Description based on online resource; title from home page (viewed on November 16, 2021).
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