Vol. 67/1, January-March 2020
(publication status: published, delayed due to Coronavirus crisis, available online)
Articles
- Miss Austen Plays Pleyel: An Additional Source for the Jane Austen Family Music Collection? Marian Wilson Kimber
- Der Nachlass des Musikwissenschaftlers Robert-Aloys Mooser (1876–1969) in den Bibliotheken Genf und Basel. Dokumente zur Kulturvermittlung zwischen der Schweiz und (Sowjet-) Russland Sonja Erhardt
- ‘In the Mirror of Criticism’: The Film-Music Debate on REICHSFILMBLATT from 1924 to 1929 (with a Source Catalogue) Francesco Finocchiaro
Briefs / Feuilletons
Reviews
- Bach and the Counterpoint of Religion. Edited by Robin A. Leaver Alon Schab
- Debussy’s Legacy and the Construction of Reputation. By Marianne Wheeldon Keith E. Clifton
- Le Modèle et l’Invention: Messiaen et la Technique de l’Emprunt. By Yves Balmer, Thomas Lacôte, Christopher Brent Murray Marie-Gabrielle Soret
Information for Contributors
Vol. 67/2, April-June 2020
(publication status: published, delayed due to Coronavirus crisis, available online)
Articles
- Surveying Composers: Methods of Distribution, Discoverability, and Accessibility of Their Works and the Corresponding Impact on Library Collections Elizabeth Berndt-Morris and Sandi-Jo Malmon
- An Analysis of Music E-Journal Usage at McGill University Joseph Hafner and Andrew Senior
- Unraveling the RISM Riddle at the University of Illinois: An Inventory and Analysis Kirstin Dougan Johnson
- Home-Made from A to Z: New Documents for the Early History of Händel Opera in America Rachel Scott
Briefs / Feuilletons
Reviews
- An Index to Music in Historical Anthologies of Western Art Music. By Mara Parker Barry Zaslow
- Bird of Time: The Music of Swan Hennessy. By Axel Klein Orla Shannon
- Musical Salon Culture in the Long Nineteenth Century. Edited by Anja Bunzel and Natasha Loges John Carnelley
- Pietro Antonio Locatelli A Modern Artist in the Baroque Era. By Fulvio Morabito George Kennaway
- Outreach for Music Librarians. Edited by Scott Stone Kate Lambaria
- Peggy Glanville-Hicks: Composer and Critic. By Suzanne Robinson Renée McBride
Information for Contributors
Vol. 67/3, July-September 2020
(Publication status: published, delayed due to Coronavirus crisis, available online)
Articles
- Michael Mosoeu Moerane in the Museum Christine Lucia
- Les Idées Progressistes des Lumières sur la Scène Russe à Travers L’Opéra-Comique Français dans le Dernier Tiers du 18e Siècle: Choix du Sujet et Singularite du Répertoire Myriam Kim
- Non-Standard Track Configuration in Historical Audio Recordings: Technical and Philological Consequences for Preservation Federica Bressan and Richard L. Hess
Briefs / Feuilletons
Reviews
- Music and the Benefit Performance in Eighteenth-Century Britain. Edited by Matthew Gardner and Alison DeSimone Lizzy Buckle
- Composing Community in Late Medieval Music: Self-Reference, Pedagogy, and Practice. By Jane D. Hatter Katie Bank
- German Operetta on Broadway and in the West End, 1900-1940. By Derek B. Scott Andrea Cawelti
- The Life and Music of Teresa Carreño (1853–1917): A Guide to Research. By Anna Kijas Brian Mann
- Bloomsbury Encyclopedia of Popular Music of the World, Volume XII: Genres: Sub-Saharan Africa. Edited by David Horn, John Shepherd, Gabrielle Kielich, and Heidi Feldman Krystal Klingenberg
- The Repertory of Processional Antiphons. By Clyde W. Brockett Emerson Morgan
- Dreaming with Open Eyes: Opera, Aesthetics, and Perception in Arcadian Rome. By Ayana O. Smith Brian Robins
- Prokofiev’s Soviet Operas. By Nathan Seinen Cameron Pyke
- Andreina e Giuseppina Paganini: Allieve e Concertiste. Edited by Pinuccia Carrer Maria Grazia Aurora Campisi
- Catalogo tematico delle musiche di Niccolò Paganini. Aggiornamento. Edited by Maria Rosa Moretti and Anna Sorrento Paola Teresa Rossetti
Information for Contributors
Vol. 67/4, October-December 2020
(Publication status: published, delayed due to Coronavirus crisis, available online)
Articles
- From French Romances to Music for Benjamin Franklin: An Examination of the D’Artois Collection from the House of the Countess of Artois, Wife of King Charles X of France Clémence Destribois
- Italian Cataloguing Rules for Unpublished Music Resources Sabina Benelli
- Apolinary Kątski: A Nineteenth-Century Master of Self-Promotion Ewa Chamczyk
- Notes on the Discography of Ingmar Bergman’s Record Collection Louise Eulau
Briefs / Feuilletons
Reviews
- Electronic Inspirations: Technologies of the Cold War Musical Avant-Garde. By Jennifer Iverson Paul Schreiber
- Dommusikarchiv Salzburg (A–SD). Thematischer Katalog der musikalischen Quellen, Reihe A. Bearbeitet von Eva Neumayr und Lars E. Laubhold unter der Projektleitung von Ernst Hintermaier, RISM Arbeitsgruppe Salzburg Andrea Lindmayr-Brandl
- Musik am Dom zu Salzburg. Repertoire und liturgisch gebundene Praxis zwischen Hochbarocker Repräsentation und Mozart-Kult. Von Eva Neumayr, Lars E. Laubhold und Ernst Hintermaier Karina Zybina
- Routledge Handbook to Luigi Nono and Musical Thought. By Jonathan Impett Robert Adlington
- Das Bilderlexikon der deutschen Schellack-Schallplatten. By Rainer E. Lotz with Michael Gunrem and Stephan Puille Ruprecht Langer
- Nostalgia for the Future: Luigi Nono’s Selected Writings and Interviews. Edited by Angela Ide De Benedictis and Veniero Rizzardi Jonathan Impett
