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2015 IAML/IMS Congress, New York City, USA

Juilliard School, Alice Tully Hall Lobby (credits: Paul Masck)

The 2015 IAML congress took place from 21-26 June 2015 in New York City. It was held in conjunction with the International Musicological Society.

The congress hashtag is: #iaml2015

Congress diaries

IAML/IMS New York City Congress Diary / Kongresstagebuch #1: German / Deutsch (Germany / Deutschland)
IAML/IMS New York City Congress Diary / Kongresstagebuch #2: Spanish / Español (Spain / España)
IAML/IMS New York City Congress Diary / Kongresstagebuch #3: Polish / Polski (Poland / Polska)
IAML/IMS New York City Congress Diary / Kongresstagebuch #4: English (United Kingdom)
IAML/IMS New York City Congress Diary / Kongresstagebuch #5: English (China)
IAML/IMS New York City Congress Diary / Kongresstagebuch #6: Dutch / Nederlands (Netherlands / Nederland)
IAML/IMS New York City Congress Diary / Kongresstagebuch #7: English (United States)
IAML/IMS New York City Congress Diary / Kongresstagebuch #8: French / Français (France)
IAML/IMS New York City Congress Diary / Kongresstagebuch #9: Lithuanian / lietuvių (Lithuania / Lietuva)
IAML/IMS New York City Congress Diary / Kongresstagebuch #10: Hungarian / magyar (Hungary / Magyarország)
IAML/IMS New York City Congress Diary / Kongresstagebuch #11: English (United States)
IAML/IMS New York City Congress Diary / Kongresstagebuch #12: Swedish / Svenska (Sweden / Sverige)
IAML/IMS New York City Congress Diary / Kongresstagebuch #13: German / Deutsch (Germany / Deutschland)
IAML/IMS New York City Congress Diary / Kongresstagebuch #14: eesti / Estonian (Estonia / Eesti)
IAML/IMS New York City Congress Diary / Kongresstagebuch #15: Korean / 한국어 (South Korea / 대한민국)

General Assembly minutes

Minutes for the General Assembly, New York

Reports for the General Assembly

National reports

Show the national reports presented at the congress

Access to Performance Ephemera Project Group

Access to Performance Ephemera working group - Report 2015

Ad Hoc Committee on Organizational Structure (Level 2)

Copyright Committee

Copyright committee - Report 2015

Forum of Sections

Forum of Commissions and Professional Branches, Working meeting, New York, 25 June 2015

Grove Music Online

Grove Music Online - Report 2015

IAML Historian

IAML Historian - Report 2015

IAML-L

IAML-L - Report 2015

ISMN

ISMN - Report 2015

Membership Committee

Membership committee - Report 2015

Public Libraries Section

Public Libraries - Report 2015

Publications Committee

Publications committee - Report 2015

RILM

RILM - Report 2015

RIPM

RIPM - Report 2015

RISM

RISM - Report 2015

Materials presented in the sessions

Access to Music Archives Project Group

Map of Spanish Musical Heritage

María José González Ribot

Archives and Music Documentation Centres Section

American music in the collection of Belgian violinist Laurent Halleux (1897-1964), at the Royal Conservatory of Brussels

Olivia Wahnon de Oliveira
Resources in New York and Belgium related to Eugène Ysaÿe

Ray Iwazumi

Audio-Visual Materials Section

Music has its destiny: On collecting audio in a digital age

Jeremy A. Smith
So many bits, it hertz: Digital sound recordings & sound quality

Andrew Justice

Cataloguing and Metadata Section

Facilitating discovery of historic sound recordings: Rethinking subject access

Sophie Rondeau, Jennifer Vaughn
Reconsidering popular music in FRBR: Toward Linked Data discovery

Tracey Snyder, Kevin Kishimoto

Copyright Committee

Summary of Copyright Committee sessions in New York (2015)

IAML/IMS Programme Committee

The Centre Iannis Xenakis’s archives from the inventory to online publication: when constraints are structuring tools for project management

Cyrille Delhaye
Contemporary Composers Web Archive (CCWA): Progress in collaboratively collecting composers’ websites

Laura Stokes, Anna Perricci
Digital humanities goes musical: A case study of text mining

Robin Preiss
Digital hymnody tools: Their usefulness in researching the impact of the Great War on Canadian Protestant Hymnals

Bonnie Faye Woelk
Digital Madeleines and Breadcrumbs: Discovering the Musical Past through Multimodal Analyses

Anna E. Kijas, Francesca Giannetti
Digital services for musicologists offered by the Music Department of the Bavarian State Library

Jürgen Diet
The empirical research of a Georgian sound scale

Zaal Tsereteli, Levan Veshapidze
The Founding of the Belgian Violin School and the Library of the Brussels Royal Conservatories

Richard Sutcliffe
Improving access and facilitating research: The music collections in the new catalogues of the French National Library (BnF)

Clotilde Angleys
Knowledge acquisition from music digital libraries

Sergio Oramas, Mohamed Sordo
Les archives du Centre Iannis Xenakis, de l’inventaire à la mise en ligne : quand les contraintes sont des atouts pour la conduite de projet

Cyrille Delhaye
MEI at 15: Reflections, challenges, and opportunities

Perry Roland
Refactoring a Library's Legacy Catalog: a Case Study

Joachim Ganseman
Scholarly editions 2.0: How digital media promote new editorial concepts

Johannes Kepper, Richard Sänger
Sharing notes: Current music description practice in the context of DACS

Elizabeth Surles
Small music collection – Big Data

Gabriella Hanke Knaus
Taking Cultural Music Education Online: Virtual Lab for Music

Tejaswinee Kelkar, Anon Ray, Venkatesh Choppella
Transparency, color and liveness: An ethnographic study of the live sound engineering of "Porgy and Bess" on Broadway

Whitney Slaten
A Turning Point in Publishing Lithuanian Sheet Music After the Restoration of Independence (1990–2015)

Živilė Časaitė, Asta Bielinskienė
Web Archiving of Musicological Internet Resources

Barbara Lenk
What do musicologists do all day? Work processes and the adoption of software tools in musicological research

Frans Wiering, Charles Inskip

International Council for Traditional Music

Digital Research in Ethnomusicology

Virginia Danielson

Libraries in Music Teaching Institutions Section

David and Goliath: How to be a small library in a big digital world

Katharine Hogg
Enriching the Music Experience: Making Locally-Developed Digital Resources Accessible (paper)

Deborah Campana
Enriching the Music Experience: Making Locally-Developed Digital Resources Accessible (slides)

Deborah Campana
Enriching the Music Experience: Making Locally-Developed Digital Resources Accessible (video)

Charles McGuire

Organizing Committee

Building a Performance History: Collective Access and the BAM Performance Legacy

Sharon Lehner
Digital Music Resources and the User Perspective

Mark Herrick
Music information retrieval

Laurent Pugin
New Philological Strategies in Music History and the Politics of Research

Dörte Schmidt
The student perspective: Music research in the digital age

Maria Edurne Zuazu
The View of a Librarian

Virginia Danielson

Outreach Committee

KM Music Conservatory, Chennai, India: Report for outreach committee of IAML

Philip Taylor

Poster session

Pianists Speak! Musicians in Conversation with Robert Dumm, 1959-2008

Jean Wald
Usage‐oriented and user‐oriented evaluation of a collection of printed music

Lilian Hertel

Public Libraries Section

Baseball operas and marching bands: The Collection of US 20th-Century Music at the Zentral- und Landesbibliothek Berlin

Susanne Hein
Going digital: Some practical examples about music outreach and curation in the public library

Anna Priscilla Winling
Setting the Stage for a local music collection: The Yahara Music Library

Guy Hankel

Research Libraries Section

Music Special Collections of the Bibliothèque nationale de France for researchers and with researchers

Laurence Decobert
New approaches of cataloguing musical holdings with MEI and TEI

Kristina Richts

RIdIM

Association RIdIM: At the digital crossroads of music and art

Jarod Ogier, Michael Duffy IV

RILM

Referencing music in the twenty-first century: Encyclopedias of the past, present, and future

Anna-Lise Santella, Don M. Randel, Harry White, Hanns Werner Heister, Laurenz Lütteken, Tina Frühauf, Álvaro Torrente

RISM

RISM Linked Open Data at the interface between libraries and research projects. A first attempt of defining workflows

Kristina Richts, Peter Stadler
RISM on a shoestring: How small country groups can contribute to RISM (Part I)

Jennifer Ward
RISM on a shoestring: How small country groups can contribute to RISM (Part II)

Cheryl Martin
RISM survey: Preliminary results

Jennifer Ward
RISM: Minutes of the Advisory Council meeting

Armin Brinzing
RISM: News and information

Klaus Keil

Service and Training Section

Delivery of music research methods instruction through a flipped classroom lens: Enhancing library instruction in a digital learning environment

Carolyn Doi
Searching for music in the digital age

Kirstin Dougan

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