The legacy of Elise Hall : contemporary perspectives on gender and the saxophone /

Publication Type:

Book

Source:

Leuven University Press,, Leuven, Belgium, p.190 pages : (2024)

Call Number:

ML419.H35

Other Number:

CIPO000034642

Keywords:

Biographies., Biography., Femmes dans la musique., Musiciennes, Saxophonistes, Saxophonists, Women in music., Women musicians

Notes:

Includes bibliographical references and index.The saxophone is a globally popular instrument, often closely associated with renowned male players such as Charlie Parker, John Coltrane, or more recently, Kenny G. Less well known, however, is the historical presence of female saxophonists in the nineteenth century, shortly after the instrument's invention. Elise Hall (1853–1924), a prominent wealthy socialite in Boston at the turn of the twentieth century, defied social norms by mastering the saxophone, an unconventional instrument for a woman of her time. Despite her career's profound impact, Elise Hall remains relatively obscure in broader music communities. Her untiring work as an impresario, patron, and performer made a significant mark on the history of the instrument. Yet these contributions have been historically undervalued, largely due to gender bias. This collection of essays, written by mainly female saxophonists/scholars, re-evaluates Elise Hall's legacy beyond a discrete history, updating the narrative by highlighting the ways in which her identity and the saxophone itself have influenced historical accounts. By analyzing the sociocultural factors surrounding this innovative musician through a contemporary lens, the contributors collectively affirm her place as one of the pioneers in the history of the saxophone and challenge historical oversights shaped by gender bias.