Ethnomusicology and its intimacies : essays in honour of John Baily /

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Includes bibliographical references and index.Part I: Musical Intimacy in performance. Introspection I / Henry Stobart ; Friendship and ethnomusicological fieldwork in times of trouble / Paul Berliner ; Spiritual and emotional dimensions of female lullaby singing in Afghanistan / Veronica Doubleday ; Afghan wars and musical intimacy / James Kippen -- Part II: Intimate confessions and biographical strategies. Introspection II / Margaret Sarkassian ; Radio and the music confessional / Stephen Cottrell ; Amīr Ḳhusraw between Balkh and Delhi : the transnational legacies of an Indo-Afghan poet-musician / William Rees Hofmann ; Meetings with masterly musicians : collaboration, creation, and curation in the pursuit of ethnomusicological knowledge / Keith Howard ; Searching for a voice : an Anatolian tale / Martin Stokes -- Part III: Filmic intimacies. Introspection III / André Singer ; Intimacy in ethnographic film : listening to How to improve the world by Nguyẽ̂n Trinh Thi / Barley Norton ; The sonic intimacies of Khosrow Sinai's A lost requiem (1983) / Laudan Nooshin ; Intoxicated intimacies : drunken heroes in Greek popular film and song / Dafni Tragaki ; Epilogue: Digital intimacies? 'Doing' ethnomusicology in a socially-distanced world / Stephen Wilford."Ethnomusicology and its Intimacies situates intimacy, a concept that encompasses a wide range of often informal social practices and processes for building closeness and relationality, within the ethnomusicological study of music and sound. These scholarly essays reflect on a range of interactions between individuals and communities that deepen connections and associations, and which may be played out relatively briefly or nurtured over time. Three major sections on Performance, Auto/biographical strategies, and Film are each prefaced by an interview with a scholar or practitioner with close knowledge of the subject that links the chapters in that section. Often drawing directly on fieldwork experience in a variety of contexts, authors consider how concepts of intimacy can illuminate the ethnographic study of music, addressing questions such as: how can we understand ethnomusicological and ethnographic research and performance as processes of musically-mediated intimacy? How are the longstanding relationships we develop with others particularly intimated by and through musicking? How do we understand the musically intimate relationships of others and how do these inflect our own musical intimacies? How does music represent, inscribe, constrain or provoke social or personal intimacies in particular contexts? The volume will appeal to all scholars with interests in music and how it is used to construct relationships in different contexts around the world"--