Publication Type:
BookSource:
Bloomsbury Academic,, New York, United States , p.1 online resource (xii, 244 pages) : (2023)Call Number:
ML3528.7URL:
https://doi.org/10.5040/9781501378690?locatt=label:secondary_bloomsburyCollectionsKeywords:
(OCoLC)fst01038410, (OCoLC)fst02010845, bicssc, fast, History and criticism., Music., Noise music, Noise music., Noise rock (Music), Theory of music & musicology.Notes:
Includes bibliographical references and index.Cover -- Contents -- Acknowledgements -- Preface -- Chapter Chronology -- Noise Music Timeline -- Introduction: Becoming noise music? -- Part 1 Noise music then -- 1 Shouty and clangy credos: Power electronics and industrial music -- 2 Anti-music? -- 3 Global harsh power -- 4 Harsh noise in Japan -- 5 Harsh noise in the United States and Europe -- Interlude: The story so far and to come -- Part 2 Noise music now -- 6 Harsh noise in the twenty-first century -- 7 Noise walls and atmospheric chambers -- 8 Noise erotics: Traumatic bodies and desires -- 9 Hybrid noisebloom Part One: Noise and -- 10 Hybrid noisebloom Part Two: Noise music now -- Conclusion -- Bibliography -- Index"The first book to focus exclusively and comprehensively on the music of noise music, as opposed to contextual questions of politics, history or sociology"--Description based on online resource; title from digital title page (viewed on February 15, 2023).
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