Authorship and identity in late thirteenth-century motets

Submitted by Joseph Hafner on 21 November, 2022 - 21:21

Publication Type:

Book

Authors:

Bradley, Catherine A.,

Source:

Routledge,, London, United Kingdom, p.1 online resource : (2022)

ISBN:

1003259286

Other Number:

10.4324/9781003259282

Keywords:

(OCoLC)fst01026871, (OCoLC)fst01030408, fast, History and criticism., Motets, Motets., Music, Philosophy and aesthetics, Philosophy and aesthetics., To 1500.

Notes:

<P>A Note on Transcriptions</P><P>Contents of Montpellier Codex Fascicle 7</P><P></P><P>Introduction</P><P>1 Adam de la Halle's Presence in the Final Fascicles of the Montpellier Codex</P><P>2 Adam and Petrus de Cruce: The 'Aucun...' Opening and Questions of Chronology</P><P>3 People and Places: Adam and an 'Entre...' Motet Tradition</P><P>4 Petrus in the Montpellier Codex</P><P>5 Non-Plainchant Tenor Quotations: Unwritten Songs and Questions of Compositional Ownership</P><P>Conclusions</P><P>Bibliography</P>Description based on CIP data; resource not viewed.