Vol. 70/1, January-March 2023
Articles
- Surveying Composers Part II: Perspectives on Composer and Library Engagement for the Future Sandi-Jo Malmon and Elizabeth Berndt-Morris
- Sacred Chameleons: Form, Function, and Dissemination Patterns in the Motets of Leopold Hofmann Allan Badley
- The Grand Piano of Ignacy Jan Paderewski in Cartoons Magdalena Dziadek, Michał Jaczyński and Justyna Kica
Briefs / Feuilletons
Corresponding Editors
Great Britain
- Out of the Shadows: The Remarkable Story of Warwick Braithwaite (1896–1971), New Zealand’s Finest Conductor Roger Flury
Reviews
- Vocal Virtuosity: The Origins of the Coloratura Soprano in Nineteenth-Century Opera. By Sean M. Parr Andrea Cawelti
- Interviews with American Composers: Barney Childs in Conversation. Edited by Virginia Anderson Ken Smith
- In silenzio senza disturbare nessuno. Claudio Sartori, Brescia 1913–Milano 1994. By Mariella Sala, Massimo Gentili-Tedeschi, and Pinuccia Carrer Paola Teresa Rossetti
Communications
Information for Contributors
Vol. 70/2, April-June 2023
Articles
- Jean-Joseph Mouret’s Divertissements: An Eighteenth-Century Example of Self-Publishing Strategy Mary Cyr
- The Cataloguing Process of the ‘C Collection’ in the Music Archive of the Cathedrals of Saragossa Carmen Álvarez-Escandell
- After the Collection, What Next? Challenges of Preservation of Folk Music Recordings in an Unstable Climatic Environment in Nigeria (Library of Folk Music of Nigeria Project in Focus) Elizabeth Onyeji and Christian Onyeji
Briefs / Feuilletons
Corresponding Editors
- Canada: Assessing the Music Score Collection at the University of Toronto Trevor Deck, Jan Guise, James Mason, Tim Neufeldt, and Rebecca Shaw
Reviews
- The Temple of Fame & Friendship: Portraits, Music, and History in the C.P.E. Bach Circle. By Annette Richards Stephen Roe
- Bach and Mozart: Connections, Patterns, and Pathways. Edited by Paul Corneilson Vivian Teresa Tompkins
- Studienbuch by Gottfried Galston. Facsimile of the Author’s Personal Copy with a New English Translation. Translated by Rosemarie S. Greenman; edited by Martha Rudolph. Eleanor Hodgkinson
- The Music of Nobuo Uematsu in the Final Fantasy Series. Edited by Richard Anatone Milly Gunn
- Renegade Rhymes: Rap Music, Knowledge, and Narrative in Taiwan. By Meredith Schweig Tom Peterson
Information for Contributors
Vol. 70/3, July–September 2023
Articles
- When Mr Paradies Provided the Songs: The London Opera Arias of Fitzwilliam Museum, Mu.Ms.108 Michael Burden
- Orchestral Identities and the Formation of Musical Knowledge: A ‘Sociomaterial’ View on the Concert Programmes of the London Symphony Orchestra and the Vienna Philharmonic Orchestra Denise Petzold
- The Impact of the COVID-19 Pandemic on Music Education in Ukraine Andrii Bondarenko, Tetiana Humeniuk, Anastasiia Romanenko, Lidiia Makarenko, and Liubov Lysenko
Briefs / Feuilletons
Reviews
- Ralph Vaughan Williams and Adrian Boult. By Nigel Simeone Graham Muncy
- Alan Bush, Modern Music, and the Cold War: The Cultural Left in Britain and the Communist Bloc. By Joanna Bullivant Cameron Pyke
- Aaron Copland in Latin America: Music and Cultural Politics. By Carol A. Hess Howard Pollack
Information for Contributors
Vol. 70/4, October-December 2023
Articles
- A Mozart Library in National Socialist Germany Armin Brinzing
- Cataloguing of Traditional Music: The Digital Archive of the Provincial Council of Soria (Spain) Julia Escribano Blanco
- Archiving Indigenous Igbo Musical Heritage in Human Memories: Sustainability Challenges and Digital Transfer as Strategy for Future Recovery of Extinct Musical Forms Christian and Elizabeth Onyeji
Briefs / Feuilletons
Reviews
- Accenting the Classics: Editing European Music in France, 1915–1925. By Deborah Mawer, Barbara L. Kelly, Rachel Moore, and Graham Sadler Peter Asimov
- Liturgy and Sequences of the Sainte-Chapelle: Music, Relics, and Sacral Kingship in Thirteenth-Century France. By Yossi Maurey Jennifer Thomas
This page was updated on:
15 Dec 2023