Fontes contents 2018 (vol. 65)

Vol. 65/1, January-March 2018

(publication status: published/delivered)

Articles

  • Lithuanian Piano Rolls: Collections and Research Darius Kǔcinskas
  • Forgotten Episodes from the Works of Twentieth-Century Polish Composers: Film and Theatre Music in the University of Warsaw Library Aleksandra Górka and Magdalena Borowiec

Briefs / Feuilletons

Reviews

  • Beyond Bach: Music and Everyday Life in the Eighteenth Century. By Andrew Talle Alon Schab
  • Du Langage au Style: Singularités de Francis Poulenc. Edited by Lucie Kayas and Hervé Lacombe Keith Clifton
  • Reflections of an American Harpsichordist: Unpublished Memoirs, Essays and Lectures of Ralph Kirkpatrick. Edited by Meredith Kirkpatrick Bridget Cunningham
  • British Royal and State Funerals: Music and Ceremonial since Elizabeth I. By Matthias Range Matthew Gardner

Treasurer’s Report Thomas Kalk

IAML General Assembly Minutes 2017 Pia Shekhter

Governing Documents

Notes for Contributors

Vol. 65/2, April-June 2018

(publication status: published/delivered)

Articles

  • An Approach to the Cuban Institutions that Hold Documents Related to Musical Heritage Yohana Ortega Hernández
  • Contemporary Classical Music Scores-Parts and Intellectual Property: National Radio-Television Archive of Contemporary Classical Music and Oral History Project Artemis Papadaki

Briefs / Feuilletons

Reviews

  • Consuming Music: Individuals, Institutions, Communities, 1730-1830. Edited by Emily H. Green and Catherine Mayes Katharine Hogg
  • The Advancement of Music in Enlightenment England: Benjamin Cooke and the Academy of Ancient Music. Bu Tim Eggington Matthew Gardner
  • Benjamin Britten Studies: Essays on an Inexplicit Art. Edited by Vicki P. Stroeher and Justin Vickers Cameron Pyke
  • Musical Debate and Political Culture in France, 1700-1830. By R. J. Arnold David Charlto
  • British Royal and State Funerals: Music and Ceremonial since Elizabeth I. By Matthias Range Matthew Gardner

Information for Contributors

Vol. 65/3, July-September 2018

(publication status: published/delivered)

Articles

  • «Caro ed illustre Maestro »: un lot de lettres adressées à Jules Massenet, conservé à la Bibliothèque historique de la Ville de Paris Jean-Christophe Branger
  • Pascal Boyer: A Pioneer in Journalistic Music Criticism Beverly Jerold
  • A Recording Artist: Enrico Caruso and His Scrapbooks Patricia Puckett Sasser

Briefs / Feuilletons

Reviews

  • A Basic Music Library: Essential Scores and Sound Recordings, 4th ed., Volume 1: Popular Music. Edited by Edward Komara Maristella Feustle
  • Vincenzo Bellini Carteggi. Edited by Graziella Seminara Simon Maguire
  • Giuseppe Sigismondo, Apotheosis of Music in the Kingdom of Naples. Edited by Claudio Bacciagaluppi, Giulia Giovani, and Raffaele Mellace Marina Marino
  • English Pastoral Music: From Arcadia to Utopia, 1900–1955. By Eric Saylor David Matthews
  • Mistress and Muse: Ursula – The Second Mrs. Vaughan Williams: A Biography. By Janet Tennant Graham Muncy
  • Giovanna Sestini: An Italian Opera Singer in Eighteenth-Century London. By Audrey Carpenter Andrew Pink
  • Conversations with the World’s Leading Orchestra and Opera Librarians. By Patrick Lo Mary Black Junttonen
  • The Accompaniment in "Unaccompanied" Bach: Interpreting the Sonatas and Partitas for Violin. By Stanley Ritchie Peter Sheppard Skærved

Information for Contributors

Vol. 65/4, October-December 2018

(publication status: mailing, available online)

Articles

  • Local Music Collections in Cultural Heritage Institutions: A Qualitative Systematic Review Carolyn Doi
  • Analytical Description of a Data Sheet for Audio Preservation: From Meaning to Data and Back Federica Bressan
  • The Chitarra Spagnola in Venice and the Veneto: Evidence from the Musical Sources Paolo Alberto Rismondo
  • Ingmar Bergman’s Record Collection: A Discography Louise Eulau

Briefs / Feuilletons

Reviews

  • Granville Bantock’s Letters to William Wallace and Ernest Newman, 1893–1921: ‘Our new dawn of modern music’. Edited by Michael Allis Barry Smith
  • Ariosto, Opera, and the 17th Century: Evolution in the Poetics of Delight. By Edward Milton Anderson Colin Timms
  • Baudelaire in Song, 1880–1930. By Helen Abbott
    Brahms and his Poets: A Handbook. By Natasha Loges Laura Tunbridge
  • George Szell’s Reign: Behind the Scenes with the Cleveland Orchestra. By Marcia Hansen Kraus William Wheeler
  • Hermann Hesse und Othmar Schoeck: Der Briefwechsel. Edited by Chris Walton and Martin Germann Woodrow Steinken
  • Bloomsbury Popular Music. Caitlin Schmid

Information for Contributors

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