The latest issue of Fontes Artis Musicae is now available via Project Muse(link is external) and on the IAML website for members. Contents of the issue are as follows:
FONTES ARTIS MUSICAE
VOLUME 67 / 3, JULY-SEPTEMBER 2020
CONTENTS
Articles
- Michael Mosoeu Moerane in the Museum Christine Lucia
- Les Idées Progressistes des Lumières sur la Scène Russe à Travers L’Opéra-Comique Français dans le Dernier Tiers du 18e Siècle: Choix du Sujet et Singularite du Répertoire Myriam Kim
- Non-Standard Track Configuration in Historical Audio Recordings: Technical and Philological Consequences for Preservation Federica Bressan and Richard L. Hess
Reviews
- Music and the Benefit Performance in Eighteenth-Century Britain. Edited by Matthew Gardner and Alison DeSimone Lizzy Buckle
- Composing Community in Late Medieval Music: Self-Reference, Pedagogy, and Practice. By Jane D. Hatter Katie Bank
- German Operetta on Broadway and in the West End, 1900-1940. By Derek B. Scott Andrea Cawelti
- The Life and Music of Teresa Carreño (1853–1917): A Guide to Research. By Anna Kijas Brian Mann
- Bloomsbury Encyclopedia of Popular Music of the World, Volume XII: Genres: Sub-Saharan Africa. Edited by David Horn, John Shepherd, Gabrielle Kielich, and Heidi Feldman Krystal Klingenberg
- The Repertory of Processional Antiphons. By Clyde W. Brockett Emerson Morgan
- Dreaming with Open Eyes: Opera, Aesthetics, and Perception in Arcadian Rome. By Ayana O. Smith Brian Robins
- Prokofiev’s Soviet Operas. By Nathan Seinen Cameron Pyke
- Andreina e Giuseppina Paganini: Allieve e Concertiste. Edited by Pinuccia Carrer Maria Grazia Aurora Campisi
- Catalogo tematico delle musiche di Niccolò Paganini. Aggiornamento. Edited by Maria Rosa Moretti and Anna Sorrento Paola Teresa Rossetti
- Log in to post comments
