Publication Type:
BookSource:
Amsterdam University Press,, Amsterdam, the Netherlands, p.240 pages : (2023)ISBN:
9789463729543Call Number:
TP938URL:
https://images.ctfassets.net/4wrp2um278k7/2kF663s9Et9MkElJ4GkXA3/3b1c0ba912258d2bf22b321bda185fc3/9789463729543_web.jpgKeywords:
aat, bicssc, bisacsh, Electronic devices and materials., Films, cinema., Gomme-laque., Material culture., SCIENCE / Scientific Instruments., Shellac., SOCIAL SCIENCE / Media Studies., SOCIAL SCIENCE / Technology Studies., themaNotes:
Introduction. From material culture to the materials of culture -- Sheen : early stories and circulation of shellac -- Crackle : assembling the record -- Mirrors : phono-fetishism and intersensory visions -- Detonations : shellac at war -- Shards : waste, obsolescence, and contemporary remediations -- Conclusion. Sonic sculptures.Includes bibliographical references and index."This book charts the unsettled media cultures and deep time of shellac, retracing its journey from the visual to the sonic, and back again. Each chapter unveils a situated moment in the long history of shellac - travelling from its early visual culture to Emile Berliner's discovery of its auditory properties through to its recycling in contemporary art and design practices. Unforeseen correspondences between artefacts as diverse as mirrors, seals, gramophone discs and bombs are revealed. With its combinatory approach and commitment to material thinking, this book insists on moments of contact, encounter, and transformation. The book notably addresses the colonial unconscious underpinning the early transnational recording industry, highlighting the multiple gestures and forms of labour entombed within the production of the 78rpm disc. Roy explores shellac as a concrete substance, as well as the malleable stuff of which stories, histories and modern imaginings were made - and unmade." --
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