Između Srednje Europe i Mediterana : glazba, književnost i izvedbene umjetnosti = Between Central Europe and the Mediterranean

ISBN:

Schlüsselwörter:

Zusammenfassung:

<p>In accordance with the title, the individual studies in this book are articulated in three units. The first and most comprehensive one brings together a group of musicological texts that analytically investigate various aspects of intercultural interactions of Central European and Mediterranean musical cultures, with special reference to the musical sources of Dalmatia and their European contextualization, and then to other series of different discursive spaces (historical, geographical, socio-political , ethnic, cultural, aesthetic) in connection with music and musicians and with the "spread" of musical art from the center to the periphery and vice versa through the mapping of artistic and cultural influences and relationships, as well as musical migration and repertoire transfers. The second group of articles brings together texts from the fields of literature, theater and film that problematize the (in)congruences of Mediterranean/Mediterraneanism and continentality/Pannonism, both in worldview and on the literary-poetic and philosophical level. The third group of texts has intermediality in common, within which the multi-layered associative and meaningful aspects of the relationship between music and other arts in the Central European and Mediterranean context are explained. The collection of papers is trilingual (Croatian, English and Italian), with summaries in Croatian or English, or in both languages ​​in the case of Italian originals. It consists of a total of 38 articles (equipped with all the necessary scientific apparatus). Their authors are distinguished musicologists, writers and literary theorists, novelists, Englishmen, Germanists, theater experts, art historians and university professors from Austria, Bosnia and Herzegovina, Bulgaria, the Czech Republic, Croatia, Ireland, Italy, Hungary, Germany, Poland, Kosovo and Serbia. . In this way, a deeper understanding of the spaces that coagulate and condense different experiences, layers and cultural (material and spiritual) heritages, which are affected by complex processes of all kinds of changes, was achieved in an appropriate manner. These changes dramatically (re)shape our reality and its social philosophy, but they also form a deep existential determinant of national and transnational cultural identity.</p>