Medientyp:
BookQuelle:
Cambridge University Press,, Cambridge, United Kingdom ; New York, NY, United States, p.1 online resource (xii, 120 pages) : (2024)Signatur:
ML410.H482URL:
https://doi.org/10.1017/9781009076159Schlüsselwörter:
Analyse et appréciation., Analysis, appreciation, Analysis, appreciation., fast, Quatuors à cordes, String quartetsHinweise:
Includes bibliographical references (pages 116-118) and index.Description based on online resource; title from digital title page (viewed on December 19, 2023).The String Quartet in E flat major (1834) by Fanny Hensel, née Mendelssohn, is one of the most important works by a female composer written in the nineteenth century. Composed at a turning point in her life (as Hensel was not only grappling with her own creative voice but also coming to terms with her identity as a married woman, and the role her family expected of her), the quartet is significant in showing a woman composing in a genre that was then almost exclusively the domain of male artists. Benedict Taylor's illuminating book situates itself within developing scholarly discourse on the music of women composers, going beyond apologetics - or condemnation of those who hindered their development - to examine the strength and qualities of the music and how it responded to the most progressive works of the period.
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