The politics of authenticating : revisiting New Orleans jazz /

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Includes bibliographical references and index.Part I. Beginnings. Introducing the Authors and the Riff Methodology -- Riff I. Robert Porter -- Cultural Studies and the Politics of Everyday Life -- Why Sociology of Knowledge? -- Why George Herbert Mead? -- Why Symbolic Interactionism? -- Riff II. Robert Porter -- Authenticity as Authenticating -- The Move to Grounded Theory -- Part II. Authenticating New Orleans Jazz -- Riff III. Robert Porter -- Analytic Autoethnography -- Becoming Authentic (1961-1976) -- Revisiting Authenticity (2000-2009) -- Enthusiasts, Competing Authenticities, and the Move to Academe -- New Orleans Music, Authenticity, and the Case of Bob Wallis -- Towards Authenticity as Authenticating : Mainstreaming Authenticity and the Case of Bunk Johnson -- Authenticity as Authenticating 1 -- Constructing and Reconstructing Authenticity -- Authenticity as Authenticating 2 -- Adopting and Adapting Authenticity -- Progressing Authenticity -- Coda on a Riff : Fragment from Robert Porter."This book is part jazz historiography, part autoethnography and part memoir. It sets forth a grounded theory of 'authenticating' as a basic socio-political process, with reference to Richard Ekins' participation in the social worlds of New Orleans jazz, and his life as a social constructionist social scientist and cultural theorist"--