Distortion in music production : the soul of sonics /

ISBN:

Signatur:

Schlüsselwörter:

Hinweise:

Includes bibliographical references and index.Part 1. Technology of Distortion. A History of Distortion in Music Production / Clive Mead, Gary Bromham and David Moffat ; The Development of Audio Software with Distortion / Eric Tarr ; A browser-based WebAudio ecosystem to dynamically play with real-time simulations of historic guitar tube amps and their typical distortions / Michel Buffa and Jerome Lebrun ; Non-linearity and Dynamic Range Compressors / Dr Austin Moore ; Low Order Distortion in Creative Recording and Mixing / Dr Andrew Bourbon -- Part 2. Perception and Semantics of Distortion. Understanding the Semantics of Distortion / Dr. Gary Bromham ; An Ecological Approach To Distortion In Mixing Audio : Is Distortion An Expected, Rather Than Unwanted Artefact? / Dr Lachlan Goold ; Towards a Lexicon for Distortion Pedals / Tom Rice and Dr. Austin Moore -- Part 3. Retrospective Perspectives of Distortion. Hit Hardware : Vintage Processing Technologies and the Modern Recordist -- Niall Coghlan ; Even Better than the Real Thing : A comparison of traditional and software emulated distortion in the contemporary audio production workflow / Dr. Doug Bielmeier ; 'It just is my Inner Refusal' : Innovation and Conservatism in Guitar Amplification Technology / Jan-Peter Herbst ; A Saturated Market / Ask Kæreby -- Part 4. Musicology of Distortion. The Studio's Function in Creating Distortion Related Compositional Structures in Hard Rock and Heavy Metal -- Ciro Scotto ; The Distortion of Space in Music Production / Dr. Matthew Barnard ; Distorting Jazz Guitar : Distortion as Effect, Creative Tool and Extension of the Instrument / Dr Tom Williams ; 'Got a Flaming Heart' : Vocal Climax in the Music of Led Zeppelin / Aaron Liu-Rosenbaum ; The Aesthetics of Distortion / Dr Toby Young."Distortion in Music Production offers a range of valuable perspectives on how engineers and producers use distortion and colouration as production tools. Readers are provided with detailed and informed considerations on the use of non-linear signal processing, by authors working in a wide array of academic, creative, and professional contexts. Including comprehensive coverage of the process, as well as historical perspectives and future innovations, this book features interviews and contributions from academics and industry practitioners. Distortion in Music Production also explores ways in which music producers can implement the process in their work and how the effect can be used and abused through examination from technical, practical, and musicological perspectives. This text is one of the first to offer an extensive investigation of distortion in music production and constitutes essential reading for students and practitioners working in music production"--