Vol. 69/1, January-March 2022
(Publication status: published, available online)
Articles
- A First Inventory of Plainchant Books up to 1900 in Santiago, Chile David Andrés Fernández
- British Symphonic Criticism: A Tale of Two Symposia Ryan Ross
- COVID-19 and Field Recordings for the Library of Folk Music of Nigeria Project: Disruptions and Challenges of Access in Pandemic Time Christian Onyeji and Elizabeth Onyeji
Briefs / Feuilletons
Reviews
- Georges Auric: A Life in Music and Politics. By Colin Roust Keith E. Clifton
- Biblioteca di musica. Studi in onore di Agostina Zecca Laterza in occasione dei 25 anni dalla fondazione della IAML Italia. Edited by Marcoemilio Camera and Patrizia Florio Paola Teresa Rossetti
- Saint-Saëns and the Stage: Operas, Plays, Pageants, a Ballet and a Film. By Hugh Macdonald Clair Rowden
Information for Contributors
Vol. 69/2, April-June 2022
(Publication status: in production)
Articles
- Viable Texts or Reliable Texts? The Earliest Editions of Pleyel’s String Quintets Allan Badley
- ‘To Better Perform my Duties as a Dame Patronesse’: Pauline Viardot-García’s Philanthropic Work Virginia Sánchez Rodríguez
- Ethnic Piano Rolls in the United States: Between Folk, Foreign, and National Music Darius Kučinskas
- A Public Music Library in the Heart of Europe: Forty Years of Csorba Győző Library’s Music Department (Pécs, Hungary) Csilla Kovácsné Sorossy
Briefs / Feuilletons
Corresponding Editors
Britain
- Nourmahal’s Song: An Unknown Coleridge-Taylor Work Jonathan Frank
Reviews
- L’œuvre de Frédéric Chopin. Manuscrits ─ Partitions annotées ─ Bibliographies. By Bertrand Jaeger Christophe Grabowski
- Musique et musiciens à Paris pendant la Grande Guerre: Les Chemins du patriotism. By Charlotte Segond-Genovesi Nigel Simeone
Information for Contributors
Vol. 69/3, July–September 2022
Special Topic: In Celebration of RISMʼs Seventieth Anniversary
Guest Editor: Nicole Schwindt
Editor’s Preface
Articles
- Fifty Years with the Fondo Cappella Sistina of the Biblioteca Apostolica Vaticana Richard Sherr
- Maurizio Cazzati’s ‘Unsold Music’ Rodolfo Zitellini
- Die Notenautographe (1825–1884) im Album von Ferdinand Hiller: Überblick, Einordnung, Quellenwert Henrike Rost
- ‘Pure or Tainted?’ Representing a Source of Colonial Bengali-English Music in RISM Emerson Morgan, Christina Linklater, and Pramantha Tagore
Briefs / Feuilletons
Reviews
- Transforming Ethnomusicology, Volume I: Methodologies, Institutional Structures & Policies – Transforming Ethnomusicology, Volume II: Political, Social & Ecological Issues. Edited by Beverley Diamond and Salwa El-Shawan Castelo-Branco Aurélie Solenne Gandour
- Geschichte der Musiktheorie: Die Musiktheorie im 18. und 19. Jahrhundert. Dritter Band: Frankreich, Belgien, Italien. Edited by Stefan Keym Alexander Rehding
Vol. 69/4, October–December 2022
Articles
- Lettres Autographes Françaises aux Archives du Département de la Musique de la Bibliothèque Nationale de la République Tchèque Pavel Kordík et Annini Tsioutis
- The Music Collection of Antonín Borový (1755–1832), A Cantor from Zlatá Koruna Markéta Králová
- The Musical Culture of Carmelites in the Former Polish-Lithuanian Commonwealth during the Seventeenth- and Eighteenth-Century. Music Sources and Other Documentation Marek Bebak
Briefs / Feuilletons
Corresponding Editors
- Latvia: Riga City Theatre Materials in the Stock of the National Library of Latvia – Historical Evidence and Findings Eridana Žiba
Reviews
- Shostakovich: A Coded Life in Music. By Brian Morton Cameron Pyke
- Anne Dawson Her Book (1716). Edited by Jon Baxendale – William Babell. Toccatas, Suites and Preludes for Harpsichord. Edited by Andrew Woolley Graydon Beeks
- London, Royal College of Music Library, MS 2093 (1660s–1670s). Edited by Heather Windram and Terence Charlston – London, Lambeth Palace Library, MS 1040 (1650s–1660s). Edited by Andrew Woolley, Heather Windram, and Terence Charlston Alexander Day
